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Jean Harlow-lookalike Harlot (Mario Montez),Gerard Malanga, Philip Fagan, and Carol Koshinskie (with a cat) sit in a room eating bananas as the off-screen voices of Billy Name, Ronald Tavel, and Harry Fainlight discuss various topics.
Harlot
Warhol and scenarist Ronald Tavel offer a brutal vision of the Hollywood casting couch with this record of ingenue Mario Montez performing a humiliating auditions for a dictatorial, unseen director.
Screen Test #2
In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of...
Jack Smith and the Destruction of Atlantis
Instructed by Warhol to write a vehicle for Edie Sedgwick in a “completely white” setting, scenarist Ronald Tavel created one of Warhol’s most iconic films. Here a group of performers of all stripes – the sink and litter basket receive equal billing to the hum...
Kitchen
Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury....
Hedy
A playwright taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family.
The Life of Juanita Castro
Ronald Tavel taunts Philip Fagan, who lacks the verbal dexterity to counter the clever spider’s web of words that Ronald Tavel weaves to ensnare him, so that Fagan’s only response is to refuse to respond and stare silently off-screen, turning the screen test i...
Screen Test #1
Documentary on Andy Warhol's cinema of the sixties, made for Channel 4 in association with The Factory, MOMA and the Whitney Museum of Art and in collaboration with Simon Field.
Warhol's Cinema 1963-1968: Mirror for the Sixties
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film a...
Andy Warhol Screen Tests