Video Nas Aldeias Movies

With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Euro...

In 1985, a daring worker of the Bureau of Indian Affairs in Brazil denounced a massacre in the lawless region of Corumbiara. The investigations turned to a series of indigenous genocides in the area. Spanning 20 years, the film shows the search for proof and t...

Thirty years ago, a rubber company enslaved a group of Asháninka people, manipulating them into tapping the trees in the lush borderland between Peru and Brazil. The company was expelled by a coalition of Indigenous and non-Indigenous people, led by one mixed...

As Ariel Ortega thinks about the history of contact of the Mbya-Guarani, he tries to understand how his people got expelled from their land.

During a video workshop at the Kuikuro village, an eclipse happens. Suddenly, everything changes.

An immersion in spirituality and everyday life of the Mbya-Guarani from the Koenju village in Southern Brazil.

Four Ikpeng children introduce us to life in their village. They show their families, their toys, and their celebrations with grace and lightheartedness. We meet the characters that make up their everyday world - from baby chickens to the village chief - and w...

The 'Vídeo nas Aldeias' performed with the Enawenê Nawê Indians, for fifteen years, extensive records of Yaõkwa, their longest ritual, in which the masters of ceremony pull, for seven months, a myriad of songs, in order to maintain the balance of the earthly w...

Chanter Tachico Guajajara shares the story of how his people learned the sacred chants that conduct their rituals and festivities.

Mythical-religious interpretation of the Mbya-Guarani on 17th century Jesuit reductions in Brazil, Paraguay and Argentina.

In the village of Koenju, in Rio Grande do Sul, young Mario and his "gang" make fun of the challenges of today's Mbya-Guarani reality.

Ayani films her grandmother, Ayani, in her daily activities.

Panará characters and filmmakers comment on the creation process of both The agout's peanut and After the egg, the war and discuss about the use of video in their community.

Shomõtsi is a witty and engaging Ashaninka Indian, a father who has raised his children alone. A neighbor and friend of the filmmaker, he discusses the Ashaninka uses of anatto dye, cassava and of Coca. Unlike whites, he says, Indians respect coca's medicinal...

Asháninka videomakers create a loving portrait of their own community, located in Acre, Brazil, near the border with Peru. The people organized to preserve a sustainable way of life on their forest lands, threatened by logging. Their efforts were recognized in...